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By Katherine Hoffman

Ideas of identification are complicated and altering, and during this publication Katherine Hoffman examines photos of people and households from old Egypt to the present—more than thirds of the ebook covers the 20 th century. via a finished learn of work, sculpture, images, movie, tv, and different media, Hoffman presents eye-opening insights at the identification of relatives and self via time and explores what those photos say concerning the attitudes and values of a selected culture.Concepts of id and self as members and households are complicated and altering, yet pictures from the artist, the photographer, the filmmaker, and television manufacturer may help us realize the place we got here from, who we're and why, and the place we're within the maze of postmodern existence. Katherine Hoffman explores snap shots and pictures from historical Egypt to the present—more than two-thirds of the booklet covers the 20 th century, together with photographs from artwork, images, movie, television, and different media. The seventy five illustrations are built-in with the textual content.

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Extra resources for Concepts of Identity: Historical and Contemporary Images and Portraits of Self and Family (Icon Editions)

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Traditional still-life objects typical of various paintings— a glass vase filled with flowers that will fade in time, a snuffed candle, a book, and some documents—are in a niche in the upper left of the painting. Such objects tended to emphasize the notion of human mortality and transience. The inscription on the sheet of paper that the older woman is singing from has been translated to read, "A New Song of Callou, The Beggars,'* referring to a victory of the Cardinal Infante Ferdinand of Spain over the forces of Frederick Hendrick of Orange at Callou, near Antwerp, in 1638.

Divorce became prevalent. ) In general, Roman portraiture and images related to the family are perhaps the most significant in their awareness and presentation of an essence of humanity and of an inner presence. The inner life appears to have become dominant in early Christian art. The expression of the eyes is an important part of portraits of this period, since a gaze seems to be fixed on the transcendent, the eternal. Less attention is paid to the worldly, physical attributes of the portrayed.

Many Roman marriages were childless. Indeed, the emperor Nerva was chosen for his celibacy; his successors Trajan and Hadrian, although married, had no legitimate children. Writers, such as Martial in his Epigrams and Juvenal in his Satires, pointed to incidents of adultery. Divorce became prevalent. ) In general, Roman portraiture and images related to the family are perhaps the most significant in their awareness and presentation of an essence of humanity and of an inner presence. The inner life appears to have become dominant in early Christian art.

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