Download Buddenbrooks: Verfall einer Familie by Thomas Mann PDF

By Thomas Mann

Thomas Manns frühes Meisterwerk erschien 1901 im S. Fischer Verlag und wurde 1929 mit dem Nobelpreis für Literatur ausgezeichnet. Diesem Band der ›Großen kommentierten Frankfurter Ausgabe‹ liegt der Erstdruck von 1901 zugrunde. Nur dieser früheste Druck beruht auf dem im Zweiten Weltkrieg verloren gegangenen Manuskript, und es ist die einzige Ausgabe, für die der Autor nachweislich Korrekturen las. Textänderungen in späteren Drucken wurden von Thomas Mann allenfalls stillschweigend toleriert.
Für diese Neuausgabe wurden zahlreiche Fehlschreibungen und Modernisierungen rückgängig gemacht. Zum ersten Mal erscheint der Roman wieder in seiner originalen Gestalt und ursprünglichen Orthographie.
In der Textfassung der Großen kommentierten Frankfurter Ausgabe (GKFA), mit Daten zu Leben und Werk.

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Extra info for Buddenbrooks: Verfall einer Familie

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33 Thinking hard about the real-life effects of antisemitism under Hitler is not, in Meinhof’s view, what is really needed — the realities of the Shoah seem to take a back seat to “administrative measures” against her foster mother Riemeck. ” column she had deliberately used an item of Nazi vocabulary to characterize political practice in West Germany: the verb gleichschalten, which described Hitler’s policy of forcing institutions and individuals to toe the political line. The word returns as a noun in her column of August 1966, “Joachim Fest oder die Gleichschaltung” (Joachim Fest or Gleichschaltung).

Even without its reference to a contemporary right-wing politician the article is provocative — not least because Meinhof appears to include her readers (the “you” of the title) but not herself in the ranks of those within whom the spirit of Hitler lives on. At the time of writing the Eichmann trial was in progress; it is mentioned in a cursory manner. But the focus is on developing her metaphor: namely, that those (like herself) who oppose current mainstream politics are Germany’s new Jews: in the contemporary context, she tells us, anyone who criticizes antisemitism must “speak up for freedom wherever it is currently under threat” (“wer den Antisemitismus geißelt, muß der Freiheit, wo sie heute bedroht ist, das Wort reden”).

She routinely employs what philosophers call “useful fictions,” which overlap with what literary critics call “metaphor” or in some cases “personalization”: the technique of associating one thing with another. That may be harmless (if I call you a lamb, or a gene “selfish”) or dangerous (if I say you are a plague or its carrier and should be destroyed). The danger goes beyond the individual: we need to take the caution to heart that “this kind of useful fiction is perilous. . too much talk of selfish genes or purpose in evolution can lead people to mistake fictions for facts.

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