
By Stephen C. Shafer
Shafer's learn demanding situations the normal ancient assumption that British function motion pictures in the course of the Thirties have been normally orientated to the middle-class. as a substitute, he makes the severe contrast among movies meant for West finish and overseas flow and people meant basically for family, working-class audiences. faraway from being alientated via a 'middle-class institution', operating women and men flocked to work out photos that includes such music-hall luminaries as Gracie Fields and George Formby.
Read or Download British Popular Films, 1929-1939: The Cinema of Reassurance (Studies in Film, Television and the Media) PDF
Similar media studies books
Bookwork: Medium to Object to Concept to Art
“There they relaxation, inert, impertinent, in gallery space—those ebook kinds both imitated or mutilated, replicas of studying topic or its vestiges. unusual, after its lengthy and powerful profession, for the booklet to take early retirement in a museum, no longer as infrequent manuscript yet as functionless sculpture.
Media and Identity in Contemporary Europe: Consequences of global convergence
An built-in research of the imperative concerns in modern media coverage. Chapters concentrate on technological swap and its effect on cultural and political identities, the position of the cultural industries within the 'New economic climate' and the effect of ecu integration on nationwide associations - public carrier broadcasting particularly.
Broadcasting Finance in Transition: A Comparative Handbook (Communication and Society)
This can be a massive learn of the the most important factor of possible choices in advertisement and public help of broadcasting within the U. S. and Europe. The Peacock Committee on Financing the BBC, a committee backed through the British govt, commissioned Jay Blumler and Tom Nossiter to enquire the effect of exchange methods of financing the BBC at the diversity and caliber of broadcasting.
Digital Discourse: Language in the New Media
Electronic Discourse deals a extraordinarily sociolinguistic point of view at the nature of language in electronic applied sciences. It starts off through easily bringing new media sociolinguistics brand new, addressing present applied sciences like fast messaging, textmessaging, running a blog, photo-sharing, cell phones, gaming, social community websites, and video sharing.
- The Media and Foreign Policy
- Women and the Media in Asia: The Precarious Self
- Tell Everyone: Why We Share and Why It Matters
- The Wounds of Nations: Horror Cinema , Historical Trauma and National Identity
- Urban Social Listening: Potential and Pitfalls for Using Microblogging Data in Studying Cities
Extra info for British Popular Films, 1929-1939: The Cinema of Reassurance (Studies in Film, Television and the Media)
Sample text
British producers will not have to look for a scenario and setting. ”l4 A shopgirl similarly berated the style of speaking used by actresses in roles representing her occupation; in a 1937 letter, she bitterly commented with regard to a particular film: I feel I must protest against the exaggerated and out of date characterisation which spoils so many British films… The average shop-girl speaks probably as well as…[the actress] does in private life. I know several shop-girls who also resented this picture.
They are typical of England, they crystallise and personify those very attributes we worship and admire…. [They] possess that certain something we are glad to call British. 50 Yet the roles of the two characters are so small that they are almost non-existent; as a matter of fact, one of the chief criticisms of the film is that it was essentially concerned with the officers and not the enlisted men and that it portrayed the enlisted men in the stereotypical way. Clearly, the minor working-class characters were emphasized in the publicity strictly to respond to those who wanted to see accurate characterizations of the working classes.
This is 1934, yet the leading English exponent of Cockney wit gives us impressions of people of fifty years ago. ” I am 28, have lived amongst the Cockneys all my life, and I can honestly say that if any of my work mates, whose ages range from twenty to seventy, spoke and acted like Gordon Harker, we would give him a raspberry…. It is time that Gordon Harker came out of the past and gave us an impression of the present. 19 One writer from London seemed to sum up this point of view that British films too often took the easy way out in their stereotypical, Cockney characterizations of the working classes; in a 1933 letter to Picluregoer Weekly, complaining about the “use of the Cockney dialect in British films,” he wrote: This type of speech in its proper place and time is highly effective… but I see no reason why every metropolitan policeman, barmaid, or shop assistant who has to appear should be made to speak this way.