By Jed Perl
Antoine Watteau, probably the most mysterious painters who ever lived, is the muse for this pleasant research of the tangled dating among paintings and existence. Weaving jointly ancient truth and private reflections, the influential paintings critic Jed Perl reconstructs the fantastic tale of this pioneering bohemian artist who, even if he died in 1721, while he used to be in simple terms thirty-six, has inspired innumerable painters and writers within the centuries since—and whose paintings keeps to deepen our figuring out of where that love, friendship, and delight have in our day-by-day lives.
Perl creates an staggering event by means of amassing his reflections in this “master of silken surfaces and elusive emotions” within the kind of an alphabet—a fairy story for adults—giving us a brand new approach to take into consideration artwork. This really good university of a ebook is a hunt for the treasure of Watteau’s existence and imaginative and prescient that encompasses the glamour and intrigue of eighteenth-century Paris, the riotous historical past of Harlequin and Pierrot, and the paintings of such smooth giants as Cézanne, Picasso, and Samuel Beckett.
By turns somber and beguiling, analytical and impressionistic, Antoine’s Alphabet reaffirms the modern relevance of the best of all painters of younger love and imperishable goals. it's a booklet to have fun with, to percentage, to come to back and again.
From the Hardcover edition.
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Additional resources for Antoine's Alphabet: Watteau and His World
Rājarāja and Lokamahādevī—Śivayoganātha temple, Tiruvisalur (India, Tamil Nadu)—1013–14 (© IFP/EFEO) Fig. 30. Jayavarman VII—Krol Romeas (Cambodia)—Twelfth century— Sandstone—Phnom Penh National Museum (Photograph by Pierre Baptiste) Fig. 31. Couple of donors—Veranda of Karle caitya (India, Maharastra)— First century BC (Photograph by Vincent Lefèvre) Fig. 32. Hero-stone—Karnataka (India)—Fifteenth-sixteenth century—Sandstone—Chhatrapati Shivaji Maharaj Vastu Samgrahalay (Prince of Wales Museum), Mumbai (Photograph by Vincent Lefèvre) Fig.
33. )—red stone—9,3 cm—National Museum, New Delhi (© AIIS) Fig. 34. Naked male torso—Lohanipur, near Patna (India, Bihar)—Third century BC—Polished sandstone—67,3 cm—Patna Museum (Photograph by John C. Huntington, Courtesy of The Huntington Photographic Archive at The Ohio State University) Fig. 35. Moustached head—Sarnath (India, Uttar Pradesh)—Maurya-Śuṅga period—Sandstone—National Museum, New Delhi (Photograph by Vincent Lefèvre) Fig. 36. Head with turban—Sarnath (India, Uttar Pradesh)—Maurya-Śuṅga period—Sandstone—National Museum, New Delhi (Photograph by Vincent Lefèvre) Fig.
Cave 5, Udayagiri (India, Madhya Pradesh, Vidisha district)—Beginning of the fifth century (Photograph by Vincent Lefèvre) Fig. 51. Viṣṇu sleeping on Ananta—Udayagiri (India, Madhya Pradesh, Vidisha district)—Beginning of the fifth century (Photograph by Vincent Lefèvre) Fig. 52. ) kneeling at the feet of Viṣṇu, detail of Fig. 58 (Photograph by Vincent Lefèvre) Fig. 53.